There are an enticing array of high profile horse shows scattered across the country and the calendar. As a result, it can feel as though you must be at your absolute best for every show. Yet that can take a toll on the physical and mental well-being of both horse and rider. This overtraining phenomenon often leads to a discouraging show experience and can unwittingly spur on even more overtraining, perpetuating the cycle.

At first glance, the box is pretty basic: you walk, trot, or lope into the box. Turn and exit. So why is achieving a ‘plus’ so elusive in this simple square drawn in the dirt by four poles?
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When it comes to Showmanship, the discipline has come a long way from its humble 4-H beginnings–when it was used to teach youth how to present an animal in-hand–to the complex dance we see between horse and exhibitor today. In fact, what was once thought of as a basic class has become one of the most technical of the all-around disciplines, with five maneuvers utilized in almost every pattern: the set-up, the walk, the trot, the back, and the turn.
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Transitioning from a snaffle or hackamore to a bit with a shank and a curb chain is a big transition in a young horse’s life and not one that happens overnight. First, the pressure applied takes place in entirely new and different areas. Acclimating a horse to new headgear is something that takes time, tenacity, and the right tools.
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The discipline of Ranch Riding tends to lend itself to a casual, more laid back outfit: an oxford shirt, starched jeans, cowboy hat, boots, and a belt. While many exhibitors may invest in a pair of well-made chinks or armitas, a more cost-effective, simple, and unique alternative to dressing up any ranch outfit is the “wild rag” or cowboy scarf.
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Perfecting the rhythm, flow, and connection that elevates your Trail work from the mundane to the sublime requires countless hours of practice over the poles. Many Trail exhibitors seek that precision by setting up Trail obstacles at home. It sounds simple: throw a few poles out there and do some lope-overs. However, to really make your extra practice time beneficial, a lot of thought and planning needs to go into the course setup. Accuracy matters if your goal is to closely simulate the challenges you will face at the show.
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Every competitor has experienced that dreaded moment when the pressure is on and, for some unknown reason, their mind takes a holiday. What pattern? Extend the trot where? What are logs doing here? Which side of the cone am I supposed to be on? In the past, show nerves were exacerbated by the pressure of having to memorize patterns with little prep time before an event. Trainers and competitors juggling the excitement and energy of time crunch at the horse show found it difficult to do their best under those circumstances when only given a few minutes to learn a complicated series of maneuvers.
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We asked top professionals your biggest questions about keeping a show-worthy hair coat. Here’s what they had to say…
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Episode 16 of A Splash of Color, a Michigan-based podcast by Amy Franks: Discussing Disciplined Rail with PtHA, APHA & NSBA Judge Mark Smith Listen as PtHA, APHA, NSBA Judge and PtHA Judges Hall of Fame recipient Mark Smith, an instructor at the University of Findlay, shares his perspective on disciplined rail as well as […]
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The choice of bits for English classes can be overwhelming with a seemingly infinite combination of mouthpieces and cheek designs. English bits are commonly considered to be either direct rein or snaffle bits. However, some have shanks, use leverage, and are regarded as curb bits.
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